Noor Bhangu is a curator and scholar, whose practice employs cross-cultural encounters to interrogate issues of diaspora and indigeneity in post- and settler-colonial contexts. She completed her BA in the History of Art and her MA in Cultural Studies: Curatorial Practices at the University of Winnipeg.
Her written work has appeared in academic and public journals, including Black Flash, gal-dem, Moveable Type: The University College London English Journal, Public Parking, Uncommon Sense, and C Magazine. Her curatorial practice includes projects: Overlapping Violent Histories: A Curatorial Investigation into Difficult Knowledge (2018), womenofcolour@soagallery (2018), Not the Camera, But the Filing Cabinet: Performative Body Archives in Contemporary Art (2018), and Digitalia (2019). In 2018, she began her PhD in Communication and Culture at Ryerson and York University in Toronto.
